During the 1920s, Scottish poetry, personified by Hugh MacDiarmid, asserted its independence, denying the claim made by T. S. Eliot that all significant differences between Scottish and English literature had ceased to exist.
It was an energetic ‘No’ to provincialism, and a vigorous ‘Yes’ to nationalism as an enabler of poetry. On its first appearance in 1992, the retrospective and organising vision of Douglas Dunn’s now-classic anthology revealed a profounder level of achievement in modern Scottish poetry – whether in Scots, Gaelic or English – than had been formerly acknowledged, and introduced an entire canon of writing to a wider readership, edited with discrimination and exemplary lucidity.
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Ten Poems from Scotland Selected and introduced by Don Paterson£4.95
The ten poems in this revised and updated edition offer a taste of the poetry of Scotland. Some poems explore ideas around identity and change, exile and belonging. Others focus on landscape and place, or are principally about language itself. As Don Paterson writes in his vivid introduction, Scottish poets “…excel, I think, at the […]