O my heart is the unlucky heir of the ages
And my body is unwillingly the secret agent
Of my ancestors; those content with their wages
From history: the Cumberland Quaker whose gentle
Face was framed with lank hair to hide the ears
Cropped as a punishment for this steadfast faith,
The Spanish lady who had seen the pitch lake’s broth
In the West Indian island and the Fife farmers
To whom the felted barley meant a winter’s want.
My face presents my history, and its sallow skin
Is parchment for the Edinburgh lawyer’s deed:
To have and hold in trust, as feoffee therein
Until such date as the owner shall have need
Thereof. My brown eyes are jewels I cannot pawn,
And my long lip once curled beside an Irish bog,
My son’s whorled ear was once my father’s, then mine;
I am the map of a campaign, each ancestor has his flag
Marking an advance or a retreat. I am their seed.
As I write I look at the five fingers of my hand,
Each with its core of nacre bone, and rippled nails;
Turn to the palm and the traced unequal lines that end
In death – only at the tips my ancestry fails –
The dotted swirls are original and are my own:
Look at this fringed polyp which I daily use
And ask its history, ask to what grave abuse
It has been put: perhaps it curled about the stone
Of Cain. At least it has known much of evil,
And perhaps as much of good, been tender
When tenderness was needed, and been firm
On occasion, and in its past been free of gender,
Been the hand of a mother holding the warm
Impress of the child against her throbbing breast,
Been cool to the head inflamed in fever,
Sweet and direct in contact with a lover.
O in its cupped and fluted shell lies all the past;
My fingers close about the crash of history’s storm.
In the tent of night I hear the voice of Calvin
Expending his hatred of the world in icy words;
Man less than a red ant beneath the towering mountain,
And God a troll more fearful than the feudal lords;
The Huguenots in me, flying Saint Bartholomew’s Day,
Are in agreement with all this, and their resentful hate
Flames brighter than the candles on an altar, the grey
Afternoon is lit by Catherine Wheels of terror, the street
Drinks blood and pity is death before their swords.
The cantilever of my bones acknowledges the architect,
My father, to whom always the world was a mystery
Concealed in the humped base of a bottle, one solid fact
To set against the curled pages and the tears of history.
I am a Border keep, a croft and a solicitor’s office,
A country rectory, a farm and a drawing-board:
In me, as in so many, the past has stored its miser’s hoard,
Won who knows where nor with what loaded dice.
When my blood pulses it is their blood I feel hurry.
These forged me, the latest link in a fertile chain
With ends that run so far that my short sight
Cannot follow them, nor can my weak memory claim
Acquaintance with the earliest shackle. In my height
And breadth I hold my history, and then my son
Holds my history in his small body and the history of another,
Who for me has no contact but that of flesh, his mother.
What I make now I make, indeed, from the unknown,
A blind man spinning furiously in the web of night.