Skip to content

Scottish Poetry Library

Register/Sign in
Shopping Bag Shopping Bag
Bringing people and poems together
  • Home
  • Poetry
    • Poets
    • Poems
    • Burns Night
    • Scotland’s Makar
    • Podcasts
    • Best Scottish Poems
  • Library
    • Become a borrower
    • Catalogue
    • Collections
    • Ask a librarian
    • Copyright enquiries
  • Learning
    • Nat 5 and Higher poems
    • Dyslexia-friendly lesson plans
    • Poems in Scots for schools
    • Rannan Chloinne / Children’s Verses
    • Nua-Nòs Gaelic Resources
    • Poems in English for schools
    • Scots poems for bairns
    • Posters
  • Events
    • What’s On
    • Organising a cultural event at the SPL
    • Meeting rooms and venue hire
  • Shop
    • SPL Shop
  • About us
    • Our story
    • Our people
    • Our projects
    • FAQs
    • Company papers
    • Jobs & Volunteering
    • Find us
    • Contact us
    • Making a complaint
  • Support us
    • Become a Friend
    • Donate
  • Blog
Shopping BagShopping Bag
Ask a librarian
  • Home
  • >
  • Poetry
  • >
  • Imtiaz Dharker
  • >
  • Letters to Glasgow
Donate Donate icon Ask a Librarian Ask a Librarian icon

Letters to Glasgow

Imtiaz Dharker

Heading north is a leap of the heart. 
On the map on the phone, the blue dot
is a pulse that crosses the border.

Clouds swing open over the hills
and train chases river, races
after it like a riever,

like a long-distance runner,
breathing hard into the wind
with its flag of light flying behind.

Between home and elsewhere,
between in here and out there,
one journey is layered over the other,

one time on another. Meeting a stranger
on a train, getting to know them better,
is like opening an unexpected letter.

That's me on the garden, and that...I can't tell
if it's Graham or Brian...that's the two of us sat there.
My daughter said, Look at you posing.


In here is a steady hush and a shoosh
that carries her back to the songs she sang
when she was young. She floats

and rocks and someone talks out of the past.
The hum of the train becomes the voice
of her mother, then deepens to be

the voice of her lover so she dreams him back
in the jacket she liked, to share half a sandwich,
tea with milk and one sugar.

his arm brushing hers, and then he will tell her
he went to Ecclefechan before he met her.
The presence of him is the whoosh of wheels

and she is glad he came back for a while.
For a while, in her sleep, she smiles.
The train is a memory-keeper, it carries

something alive, like the words in a letter,
not gathering dust but held in trust.
This is how love moves on and survives.

In the window, her life looks back
at the man on the phone, and reflects his own.
The future comes in and puts down its bags.

Down the carriage, a clicking and pecking
at keyboards, half-heard, half-knowing,
tossed away in the coming and going

like all the other used-up things,
the cardboard wrap, the cellophane,
paper napkins, time-pass, stifled

yawn. The rubbish collector gathers it in,
stopping for breath in the vestibule,
his back to the door, feeling the change

in the sound, the different drumming,
the slip and shiver of in-between
and far below, the long embrace

of wheel and rail. The blue dot is still speeding,
over the screen, sheep are fast
and houses are quicker, going over the edge

with all the lost things at the butt-end of town
where the young fizzle out against walls
sprayed with words in black and red

and the wires are dancing
with the whole of the sky,
meeting and parting, saying goodbye.

We are now approaching, we are now approaching

over the Clyde where the great ships were born,
over the water, a ghostly foghorn,
over the bridge to the city they come,

some of them visiting, some returning.
They take up their baggage and their belongings,
they take up their longings

and the train brings them in to Glasgow Central,
the tall windows, the glass bridge,
the Heilanman's Umbrella lit

to gather them in,
as if someone has waited for them too long,
as if they are love letters, delivered home.






Imtiaz Dharker

First published in Luck Is the Hook (Bloodaxe Books, 2018)

Published with the permission of Bloodaxe Books.

Tags:

English Glasgow Homesickness SQA Higher texts

Learning Resources

SQA Key: National 5        Higher
  • Imtiaz Dharker (Higher) learning resources at BBC Bitesize

Share this
Facebook
Twitter
Email

Learn more

Image: Ayesha Dharker wearing a white dress and pearls. She stands in front of a colourful wall of tiles.

Imtiaz Dharkerb.1954

Born in Pakistan, Imtiaz Dharker grew up in Glasgow and now lives between India, London and Wales.
More about Imtiaz Dharker

Online Shop

Browse our range of poetry books, cards and gifts in our online shop. Free UK shipping over £20.
Shop now

Newsletter

Sign up for our regular email newsletter.
Subscribe now
  • Newsletter signup
  • Accessibility
  • Terms & Conditions
  • Privacy Policy
  • Cookie Policy (UK)
Scottish Poetry Library
5 Crichton's Close, Canongate
Edinburgh EH8 8DT
Tel: +44 (0)131 557 2876
© Scottish Poetry Library 2026.
The Scottish Poetry Library is a registered charity (No. SCO23311).
City of Edinburgh logo Green Arts Initiative logo Creative Scotland logo
Scottish Poetry Library
Manage Consent

To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behaviour or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.

We use privacy-focused tracking technologies to help us understand and improve the experience of our visitors. We track activity, not users, but you can still object to this tracking via our cookie policy.

Functional Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes. The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
  • Manage options
  • Manage services
  • Manage {vendor_count} vendors
  • Read more about these purposes
View preferences
  • {title}
  • {title}
  • {title}